{"id":3507,"date":"2025-01-31T11:29:47","date_gmt":"2025-01-31T11:29:47","guid":{"rendered":"https:\/\/snoeck.process-vision.de\/shop\/tobias-buckel\/"},"modified":"2025-04-02T12:13:55","modified_gmt":"2025-04-02T12:13:55","slug":"tobias-buckel","status":"publish","type":"product","link":"https:\/\/snoeck.de\/es\/shop\/tobias-buckel\/","title":{"rendered":"Tobias Buckel"},"content":{"rendered":"<h3>Pintura lenta<\/h3>\n<p>Tobias Buckel es un pintor cr\u00edtico con las im\u00e1genes. Desconf\u00eda de la comunicaci\u00f3n visual de los medios de comunicaci\u00f3n de masas, cuyas im\u00e1genes despiertan deseos insaciables. Al mismo tiempo, se defiende de la aceleraci\u00f3n general de nuestro presente, que Paul Virilio describi\u00f3 ya en 1990, de forma cr\u00edtica y distanciada, como un \"fren\u00e9tico estancamiento\". Tobias Buckel logra soluciones atractivas con la lentitud expl\u00edcita de su pintura. Sus cuadros son un alegato a favor del trabajo persistente y procesual: \"Para m\u00ed, la pintura se resiste al consumo r\u00e1pido. Es un medio 'lento' que puede abrir brechas en nuestros h\u00e1bitos de contemplaci\u00f3n. Aunque las decisiones importantes se tomen a menudo intuitivamente en el estudio, se hacen conscientemente: se reflexiona sobre ellas y se eval\u00faan, no son aleatorias. E incluso la imagen acabada, en la que todas las decisiones coinciden en un momento, requiere posteriormente tiempo y atenci\u00f3n por parte del espectador para categorizar y evaluar lo representado\". En \u00faltima instancia, los espacios pintados de Tobias Buckel no son espacios reales, no tienen volumen, ni est\u00e1n sujetos a las leyes de la perspectiva o la gravedad: no hay certezas \u00f3pticas en ellos. Sus cuadros escenifican modelos ya escenificados; construye espacios, pantallas y paisajes a partir de lugares escenificados. Estas construcciones permanecen en un fr\u00e1gil estado de suspensi\u00f3n, un equilibrio entre figuraci\u00f3n y abstracci\u00f3n, descripci\u00f3n y aleatoriedad, finalizaci\u00f3n e incompletud. Los opuestos no se contraponen, sino que permanecen uno al lado del otro.<\/p>","protected":false},"excerpt":{"rendered":"<p>Textos (alem\u00e1n\/ingl\u00e9s) de Harriet Zilch, Rasmus Nilausen<br \/>\n200 p., doble capa, sin recortar en la cabecera, con 80 ilustraciones en color<br \/>\nFormato 21,5 x 15,5 cm, tapa blanda con 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