{"id":3538,"date":"2025-01-31T11:30:07","date_gmt":"2025-01-31T11:30:07","guid":{"rendered":"https:\/\/snoeck.process-vision.de\/shop\/willie-doherty-home\/"},"modified":"2026-04-08T15:09:37","modified_gmt":"2026-04-08T14:09:37","slug":"willie-doherty-home","status":"publish","type":"product","link":"https:\/\/snoeck.de\/es\/shop\/willie-doherty-home\/","title":{"rendered":"Willie Doherty: INICIO"},"content":{"rendered":"<h3>El docu-drama de acci\u00f3n de Willie Doherty<\/h3>\n<p>HOME (2016) es el t\u00edtulo de la \u00faltima videoinstalaci\u00f3n de Willie Doherty, participante en Documenta (2012) y representante de Irlanda en la Bienal de Venecia (2007). Willie Doherty siempre ha reflexionado sutilmente sobre la precaria situaci\u00f3n pol\u00edtica de Irlanda del Norte, centr\u00e1ndose siempre en las sensibilidades individuales que oscilan entre la seguridad y la amenaza, la vulnerabilidad y la integridad, del mismo modo que ahora cuestiona el contexto de la migraci\u00f3n y la pertenencia social de la misma forma global. HOME gira en torno a la cuesti\u00f3n de los refugiados, mientras que las obras de v\u00eddeo \"The Amnesiac\" (2014) y \"Buried\" (2009) combinan aspectos de la memoria con el deseo de integridad individual. La instalaci\u00f3n \"Remains\" (2013), por su parte, juega con la idea de memoria colectiva centr\u00e1ndose en la pr\u00e1ctica del llamado kneecapping cultivada por tres generaciones de la IRA. Los disidentes o traidores reales o percibidos eran castigados con un disparo en una de las r\u00f3tulas. Los v\u00eddeos, que estimulan fuertemente la imaginaci\u00f3n, van siempre acompa\u00f1ados de fotograf\u00edas, en su mayor\u00eda documentales. Entre los dos polos de la autenticidad y la ficci\u00f3n, Willie Doherty explora las condiciones de lo cinematogr\u00e1fico y juega h\u00e1bilmente con los g\u00e9neros de acci\u00f3n, de autor y documental. Su t\u00e9cnica visual se asemeja a una narraci\u00f3n criminal\u00edstica: aumenta la indistinguibilidad entre la amenaza concreta y el miedo a lo indeterminado, las estructuras narrativas y sus posibles interpretaciones permanecen en gran medida abiertas. As\u00ed pues, las fotograf\u00edas y v\u00eddeos de Willie Doherty nos invitan a tratar abiertamente im\u00e1genes que, de otro modo, s\u00f3lo tratar\u00edamos con extrema suspicacia.<\/p>\n<p>Exposici\u00f3n:<br \/>\nGaler\u00edas municipales Villa Merkel Esslingen, 14\/2 - 24\/4\/2016<\/p>","protected":false},"excerpt":{"rendered":"<p>Cat\u00e1logo de la exposici\u00f3n, Villa Merkel Esslingen, editado por Andreas Baur<br \/>\nTextos (alem\u00e1n\/ingl\u00e9s) de Andreas Baur, Clea Laade y Anka Wenzel<br \/>\n112 p. con 80 ilustraciones en color<br \/>\nFormato 22 x 30 cm, tapa 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