Cuando a Thomas Feuerstein (*1968) se le pregunta por su exuberante obra, que aborda la biolog\u00eda, la literatura, la historia del arte, la filosof\u00eda, la medicina, la cibern\u00e9tica, la religi\u00f3n, el sexo, la econom\u00eda y los medios de comunicaci\u00f3n de masas, as\u00ed como los efectos de la biopol\u00edtica en el individuo y el sue\u00f1o de la eterna juventud, le gusta responder por escrito con una declaraci\u00f3n literaria. Y la atrevida enumeraci\u00f3n de su obra se asemeja entonces a\u00fan m\u00e1s a una compleja teor\u00eda literaria de la vida real, porque \u00e9l mismo responde con una narrativa aventurera, como su relato \"Plus ultra. El proyecto H\u00e9rcules\". Aqu\u00ed, Thomas Feuerstein describe al boxeador, editor de revistas, dada\u00edsta y dandi Arthur Cravan, centr\u00e1ndose as\u00ed en un personaje de los a\u00f1os veinte que, en tiempos m\u00e1s recientes, unos 60 a\u00f1os despu\u00e9s, ronda la historia pop como \u00eddolo y alimenta el mito del antih\u00e9roe an\u00e1rquico, por as\u00ed decirlo. Sin embargo, esta imagen literaria no es m\u00e1s que una par\u00e1bola para el modelo de m\u00e1quinas y biorreactores de Feuerstein, con el que se produce arte en un sentido muy cl\u00e1sico, por ejemplo con un mecanismo de escritura autom\u00e1tica tomado de la famosa \"\u00c9criture automatique\" de los surrealistas, que en su caso se basa en la notaci\u00f3n de las fluctuaciones de los precios. Adem\u00e1s, la materia org\u00e1nica, las enzimas y los catalizadores forman esculturas moleculares y, por tanto, una procesualidad que da lugar a manifiestos que s\u00f3lo conoce la historia del arte. Su concepto de la forma, dice el artista, \"tiene poco que ver con un concepto cl\u00e1sico de escultura. El material, incluidas sus estructuras moleculares y los procesos y transformaciones asociados, desempe\u00f1a un papel espec\u00edfico. No veo la forma como lo opuesto a la materia, sino como una estructura que puede adoptar diferentes formas y figuraciones\".<\/p>\n
Exposici\u00f3n:
\nKunsthalle Krems, 18\/11\/2012 - 10\/2\/2013<\/p>","protected":false},"excerpt":{"rendered":"
Cat\u00e1logo de la exposici\u00f3n, Kunsthalle Krems, editado por Hans-Peter Wipplinger
\nTextos (alem\u00e1n\/ingl\u00e9s) de Elisabeth Bronfen, Candyman, Gerhard J. Lischka, Astrid Mania y con una entrevista de Sabeth Buchmann con Thomas Feuerstein.
\n368 p. con 250 ilustraciones en color
\nFormato 28 x 21,5 cm, tapa 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