En 1955, el artista y escritor Will Barnet presentaba con toda naturalidad a Adolf Fleischmann como un \"pintor americano\" en su texto \"Aspects of American Abstract Painting\"; y en 1966, Fleischmann aparec\u00eda en el \"Dictionary of Contemporary American Artists\" de Paul Cummings entre los artistas m\u00e1s destacados de Estados Unidos. Lo que resuena en estas declaraciones procedentes del entorno de la pintura neoyorquina de los a\u00f1os cincuenta es una valoraci\u00f3n de su importancia que a\u00fan no se ha tenido en cuenta en toda la bibliograf\u00eda sobre Fleischmann: el pintor, que naci\u00f3 en Esslingen, Suabia, en 1892 y no se estableci\u00f3 en EE.UU. hasta 1952, a la edad de 60 a\u00f1os, se convirti\u00f3 r\u00e1pidamente en una figura original en el contexto de la pintura abstracta inspirada en Mondrian en la \"Meca\" del arte americano de la Costa Este. Adolf Fleischmann, representado en la Colecci\u00f3n de Arte Daimler con un importante grupo de obras, es uno de los pintores abstractos m\u00e1s destacados de Alemania y EE.UU. despu\u00e9s de 1945. La Colecci\u00f3n de Arte Daimler de Berl\u00edn muestra ahora una primera retrospectiva de la obra del artista con unas sesenta obras de tres d\u00e9cadas, incluida la obra principal creada en Nueva York en los a\u00f1os 1952-65, completada con cuadros representativos de los a\u00f1os cuarenta que a\u00fan se crearon en Europa. La publicaci\u00f3n que acompa\u00f1a a la exposici\u00f3n es la primera que ofrece una categorizaci\u00f3n bien fundamentada de la obra de Fleischmann en el contexto de la pintura abstracta americana de la \u00e9poca. Tambi\u00e9n publica los primeros textos sobre la recepci\u00f3n de la obra americana de Fleischmann de los a\u00f1os cincuenta y sesenta. Se trata, adem\u00e1s, de la primera publicaci\u00f3n en lengua inglesa sobre la pintura de Fleischmann, por lo que su obra promete ahora interesar tambi\u00e9n al p\u00fablico y a las instituciones muse\u00edsticas de los Estados Unidos. La obra tard\u00eda de Adolf Fleischmann -tanto por su asombrosa coherencia como por su diversidad pict\u00f3rica y riqueza de facetas- espera, pues, ser descubierta y apreciada en el contexto del arte alem\u00e1n y americano del siglo XX.<\/p>\n
Exposici\u00f3n:
\nDaimler Contemporary Berl\u00edn, 30\/4 - 6\/11\/2016<\/p>","protected":false},"excerpt":{"rendered":"
Cat\u00e1logo de la exposici\u00f3n, editado para Daimler Contemporary por Renate Wiehager,
\nTextos (alem\u00e1n\/ingl\u00e9s) de Raymond Bayer, Carlo Belloli, Benedikt Fred Dolbin, Adolf Fleischmann, Sanson Flexor, Roger van Gindertael, Eugen Gomringer, Kurt Leonhard, Thomas Schnalke, Michel Seuphor, Dario Suo, Renate Wiehager
\n224 p. con 150 ilustraciones en color
\nFormato 21 x 21 cm, encuadernaci\u00f3n en tela 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