Por primera vez, esta publicaci\u00f3n presenta doce pinturas sobre plomo de gran formato de G\u00fcnther F\u00f6rg (cada una de 240 x 160 cm) de 1989. Las grandes reproducciones a toda p\u00e1gina, cada una de 31 x 21 cm, transmiten una impresi\u00f3n inmediata del efecto creado por los originales que dif\u00edcilmente se ha logrado antes. Tal y como Max Wechsler describe en su texto, \"el atractivo especial de las pinturas sobre plomo reside no s\u00f3lo en su materialidad y en la materialidad \u00fanica de esta superficie pict\u00f3rica poco habitual. A ello se a\u00f1ade el especial colorido del plomo, que, resplandeciente entre el gris y el azul, aparece como una oscura tormenta amenazadora con sus infinitos valores de penumbra y entra en una sutil interacci\u00f3n con las p\u00e1tinas naturales y artificiales. Esta superficie de aspecto org\u00e1nico contrasta ahora en la presentaci\u00f3n pict\u00f3rica con las figuraciones geom\u00e9tricas directas de las divisiones. Los sutiles contrastes abren un campo de tensi\u00f3n en el que los programas sistem\u00e1ticos de composici\u00f3n y las investigaciones m\u00e1s intuitivas de las relaciones crom\u00e1ticas se desarrollan con la m\u00e1xima concentraci\u00f3n. Sin duda, esto tiene algo que ver con el hecho de que la aplicaci\u00f3n del color sobre el plomo es aparentemente casi sin resistencia, lo que a su vez halaga la notoria inclinaci\u00f3n de F\u00f6rg por la velocidad. Una de las razones de este r\u00e1pido deslizamiento es, por supuesto, el hecho de que esta superficie pict\u00f3rica es absolutamente no absorbente y la materia colorante se deposita, por as\u00ed decirlo, sobre la superficie\". La segunda autora del volumen, Britta Schr\u00f6der, describe el abrumador efecto como un cosmos cerrado: \"El color no empuja hacia el espacio, sino que se pega a la superficie como un im\u00e1n. Algunas personas temen tragarse partes del cuadro en cuanto se fijan en \u00e9l durante demasiado tiempo. En cambio, te sumerges en formas de color cuya fuerza de succi\u00f3n te absorbe como si cayeras de cabeza en un agujero negro\".<\/p>\n
Exposici\u00f3n:
\nGaler\u00eda B\u00e4rbel Gr\u00e4sslin Frankfurt, 23\/3 - 27\/4\/2013<\/p>","protected":false},"excerpt":{"rendered":"
Cat\u00e1logo de la exposici\u00f3n, Galer\u00eda B\u00e4rbel Gr\u00e4sslin, editado por B\u00e4rbel Gr\u00e4sslin y Uli Knecht
\nTextos (alem\u00e1n\/ingl\u00e9s) de Britta Schr\u00f6der, Max Wechsler
\n36 p. con 20 ilustraciones en color
\nFormato 35 x 25 cm, grapado con 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