Preguntado por sus referencias y recursos en una entrevista con Bob Nikas en enero del a\u00f1o pasado, Adam Helms (*1974), alumno de Mel Bochner, se refiere a diversas fuentes, como los retratos de la revista de mercenarios \"Soldier of Fortune\", los collages de John Heartfield, los cr\u00e9ditos iniciales de las pel\u00edculas de la Paramount, con las vistas de un gigante de monta\u00f1a, que s\u00f3lo difer\u00edan m\u00ednimamente entre s\u00ed a lo largo de muchos a\u00f1os, como base del logotipo de la Paramount, los \"48 retratos\" de Gerhard Richter, obra para la Bienal de Venecia de 1972, que ahora cuelga en el Museo Ludwig de Colonia y re\u00fane 48 retratos en blanco y negro de cient\u00edficos y personalidades de la cultura desde la Ilustraci\u00f3n, o las portadas de los discos de una marca de ruidos de Michigan con el hermoso nombre de \"Gods of Tundra\". En el medio del dibujo, tanto con l\u00e1piz como con carboncillo, Adam Helms se basa en la observaci\u00f3n de tales fuentes y trabaja a su vez en series de retratos, pinturas de paisajes o murales de carteles sobre temas hist\u00f3ricos. Lo que m\u00e1s le interesa de las fuentes es la forma en que los individuos quieren verse a s\u00ed mismos o a su sujeto representado, c\u00f3mo lo \"innombrable\", qu\u00e9 tipolog\u00eda se apodera de estos intentos de autorretrato. Para Adam Helms, \u00e9ste es el punto de entrada emocional: al fijar el pathos inmanente de las fuentes en su propio trabajo, penetra en las fuentes y puede elaborar las obsesiones subyacentes. En \u00faltima instancia, subraya, el arte americano contempor\u00e1neo no puede prescindir de la propaganda, s\u00f3lo en sus citas se niega a reconocer el statu quo de la cultura americana, el \"espect\u00e1culo de la guerra\". Por eso le interesa tanto m\u00e1s mostrar el espacio donde se encuentran la luz y la sombra, ya sea como sopa primigenia o en posici\u00f3n de primera l\u00ednea. Este volumen presenta por primera vez y de forma exhaustiva las obras de Adam Helms en su casi inalterada actualidad, en una secuencia y forma proporcionadas por el propio artista.<\/p>\n
Exposiciones:
\nGaler\u00eda Grimm \u00c1msterdam, 28\/5 - 9\/7\/2011
\nMarianne Boesky Gallery Nueva York, 7\/9 - 5\/10\/2014<\/p>","protected":false},"excerpt":{"rendered":"
Texto (ing.) de William Smith y entrevista (ing.) de Bob Nickas con Adam Helms
\n200 p. con 280 ilustraciones en color
\nFormato 30 x 24 cm, tapa 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