Olivier Mosset, nacido en Berna en 1944, vive en Tucson (Arizona) desde 1996. Desde mediados de los a\u00f1os 70, se le considera un representante de la llamada Pintura Radical, un enfoque abstracto-geom\u00e9trico de la pintura que pas\u00f3 a la historia del arte en 1977 con la exposici\u00f3n \"Radical Painting\" en Williamstown, Nueva York, que defini\u00f3 el estilo. Uno de sus ideales era socavar la originalidad art\u00edstica mediante la objetividad y la serialidad. El punto de partida era la cuesti\u00f3n de qu\u00e9 es la pintura y c\u00f3mo funciona. Olivier Mosset ha creado una obra diversa de obras monocromas y abstracto-geom\u00e9tricas sobre esta cuesti\u00f3n, que desaf\u00edan cualquier atribuci\u00f3n mistificadora de significado. La exposici\u00f3n y el libro lo demuestran de manera ejemplar y ofrecen una visi\u00f3n diversa de la obra de Olivier Mosset: desde los anillos circulares negros hasta las pinturas de rayas bicolores, pasando por las estrellas y los lienzos monocromos, ejecutados sin ning\u00fan estilo individual. Olivier Mosset comenz\u00f3 su carrera art\u00edstica en Par\u00eds en 1962 como ayudante de Jean Tinguely y Daniel Spoerri. All\u00ed conoci\u00f3 a Daniel Buren, Michel Parmentier y Niele Toroni, con los que atac\u00f3 frontalmente al Expresionismo Abstracto y, por tanto, a la Nouvelle \u00c9cole de Paris en cuatro provocadoras acciones conjuntas entre enero y septiembre de 1967. Se hicieron llamar BMPT por sus iniciales, pero pronto disolvieron el grupo. Quer\u00edan cuestionar fundamentalmente el estilo de pintura imperante, empezar de cero, formular un estilo de pintura que s\u00f3lo se refiriera a s\u00ed mismo. En 1968, Olivier Mosset se convirti\u00f3 en miembro del grupo parisino \"Vive la R\u00e9volution\", y en la d\u00e9cada de 1970 se sinti\u00f3 atra\u00eddo repetidamente por Nueva York, donde conoci\u00f3 a Andy Warhol y estudi\u00f3 intensamente la obra de Robert Ryman. Obras m\u00e1s recientes, como la hom\u00f3nima \"TUTU\" de 2013, un juego de palabras que hace referencia al dibujo de otro artista: una bailarina de Marcel Duchamp, completan el arco.<\/p>\n
Exposici\u00f3n:
\nMuseo Haus Konstruktiv Z\u00farich, 30\/5 - 9\/9\/2019<\/p>","protected":false},"excerpt":{"rendered":"
Cat\u00e1logo de la exposici\u00f3n, Museum Haus Konstruktiv Zurich, editado por Sabine Schaschl
\nTextos (alem\u00e1n\/ingl\u00e9s) de Evelyne Bucher, Philip Ursprung y una entrevista con la artista realizada por Sabine Schaschl.
\n160 p. con 91 ilustraciones en color
\nFormato 27 x 23 cm, tapa 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