La relaci\u00f3n entre madre e hijo o entre cuidador y beb\u00e9 se representa tradicionalmente en las artes visuales como una fusi\u00f3n simbi\u00f3tica. V\u00e9anse, por ejemplo, los retratos de la Virgen Mar\u00eda realizados por Rafael. Sin embargo, esta exposici\u00f3n -inspirada en la psicoanalista inglesa Melanie Klein- aborda de forma diferente esas \"relaciones objetales\" de la primera infancia que caracterizan nuestra relaci\u00f3n con otras personas a lo largo de toda la vida. Adem\u00e1s de amor y afecto, el v\u00ednculo entre un ni\u00f1o peque\u00f1o y su madre o cuidadora se caracteriza tambi\u00e9n por la agresividad, la ambivalencia y las fantas\u00edas de miedo, seg\u00fan Klein. \"La posici\u00f3n de la madre\" re\u00fane obras art\u00edsticas en las que se revelan y negocian los complejos abismos de esta relaci\u00f3n objetal. Tambi\u00e9n resuenan las consecuencias a largo plazo de esta relaci\u00f3n paradigm\u00e1tica. Precisamente porque ninguna pr\u00e1ctica art\u00edstica puede prescindir de una referencia a los objetos, merece la pena examinar las fantas\u00edas objetuales, igualmente libidinosas y destructivas. El hecho de que los malos sentimientos, las divisiones y las distorsiones unilaterales desempe\u00f1en un papel decisivo en las interacciones sociales de la sociedad actual no se debe, por tanto, \u00fanicamente a la tan cacareada \"polarizaci\u00f3n\" o a los medios sociales. M\u00e1s bien, \"The Mother Position\" demuestra que nuestras relaciones con los dem\u00e1s son tambi\u00e9n expresi\u00f3n de una vida ps\u00edquica interior que se proyecta hacia el exterior (mientras que los acontecimientos externos se introyectan). La exposici\u00f3n se ocupa menos de la maternidad en sentido estricto que de una posici\u00f3n ps\u00edquica y sus relaciones objetales que comienzan en la primera infancia. Seg\u00fan Klein, adoptamos esta posici\u00f3n una y otra vez a lo largo de nuestra vida. Adem\u00e1s, es una posici\u00f3n -y \u00e9ste es el argumento central de \"La posici\u00f3n materna\"- que tambi\u00e9n caracteriza la relaci\u00f3n de los artistas con sus objetos y que, en ocasiones, incluso aparece en ellos. (Isabelle Graw en su texto \"El poder de la relaci\u00f3n objetual\")<\/p>\n
Exposici\u00f3n:
\nCFA Bellas Artes Contempor\u00e1neas, Basilea, 31\/8 - 26\/10\/2024<\/p>","protected":false},"excerpt":{"rendered":"
Cat\u00e1logo de la exposici\u00f3n, Contemporary Fine Arts CFA Basel, editado por Bruno Brunnet y Nicole Hackert
\nComisariada y con textos (alem\u00e1n\/ingl\u00e9s) de Isabelle Graw
\n40 p. con 14 ilustraciones en color
\nFormato 28 x 20 cm, folleto 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