Cualquiera que haya mirado el tiempo suficiente al centro de este cuadro amarillo arder\u00e1 a trav\u00e9s de los listones de la tumbona. Esta peque\u00f1a broma pict\u00f3rica en la primera publicaci\u00f3n monogr\u00e1fica verdaderamente completa de la obra de Nils Nova hasta la fecha act\u00faa como aperitivo y es capaz de atraer al espectador a\u00fan m\u00e1s profundamente en su obra. Al igual que hizo Nils Nova en 2009, cuando fue invitado a participar en la Bienal de Venecia, al fotografiar primero el espacio de exposici\u00f3n vac\u00edo de los Artiglieri dell'Arsenale en su sentido longitudinal como toma invertida y colocar despu\u00e9s las caras opuestas, captadas frontalmente, como instalaci\u00f3n fotogr\u00e1fica en el espacio previamente fotografiado.
\nNo son s\u00f3lo las imponentes dimensiones, escribe Max Wechsler en su excelente y esclarecedor ensayo, las que socavan la imaginaci\u00f3n cuando el montaje de las \"im\u00e1genes especulares\" fotogr\u00e1ficas hace que el espacio real, en su extrema disoluci\u00f3n de los l\u00edmites, haga oscilar el propio punto de vista y la propia perspectiva; m\u00e1s bien, la disoluci\u00f3n de los l\u00edmites, una experiencia vacilante de la apariencia y la realidad, contin\u00faa a\u00fan m\u00e1s cuando un cuadro real cuelga de repente de la pared blanca dentro del espacio fotografiado, que parece flotar libremente en el espacio sobre el fondo fotogr\u00e1fico. Adem\u00e1s, el centro pulido del cuadro pintado sobre acero cromado parece un espejo real. El espectador se ve a s\u00ed mismo y a su entorno proyectado en el cuadro y se convierte as\u00ed involuntariamente en parte de su propia percepci\u00f3n, que est\u00e1 casi al borde de la desesperaci\u00f3n debido a los niveles flotantes.
\nNils Nova es un artista que utiliza la pintura, la fotograf\u00eda, el v\u00eddeo y el metraje encontrado para escenificar con inteligencia las tendencias de encantamiento y mistificaci\u00f3n inherentes a su diverso material. No es de extra\u00f1ar, por tanto, que entren en juego simulacros y mundos paralelos y que no sea necesario contemplar la sombra de Peter Schlemihl u otras almas vendidas para sentir un ligero v\u00e9rtigo.<\/p>\n
Exposiciones:
\nPhotoforum PasquArt, Biel\/Bienne, 19\/06-21\/08\/2011
\nKunstverein Heilbronn, 24\/3-6\/5\/2012<\/p>","protected":false},"excerpt":{"rendered":"
Editado por Max Wechsler
\nTextos (alem\u00e1n\/ingl\u00e9s\/franc\u00e9s) de Irma Arestizabal, H\u00e9l\u00e8ne Cagnard, Max Wechsler
\n224 p. con 180 ilustraciones en color
\nFormato 30 x 23,5 cm, tapa dura con sobrecubierta de doble 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