Ken Johnson escribi\u00f3 en el New York Times en 2014 sobre las obras de Carl Ostendarp que parec\u00edan los eructos de alguien en una iglesia durante un servicio religioso. Esta observaci\u00f3n admirativa se aplica a la habilidad oximoronol\u00f3gica del artista, que combina lo incompatible: La ch\u00e1chara del c\u00f3mic (que el NYT califica entonces de letras de firma bobalicona) con la fr\u00eda pintura de campo de color o de borde duro (seg\u00fan el NYT: la seriedad altisonante de la monocrom\u00eda modernista). El trasfondo de la divertida pintura de Carl Ostendarp es su inter\u00e9s por el graffiti, que comparte con muchos artistas de su generaci\u00f3n. Nacido en 1961 en la ciudad universitaria liberal de Amherst (Massachusetts), vive y trabaja como profesor de arte en la Universidad de Cornell, en Ithaca (Nueva York), donde Vladimir Nabokov trabaj\u00f3 como profesor de literatura y tuvo como alumno al posterior autor de culto estadounidense Thomas Pynchon. Carl Ostendarp celebr\u00f3 su primera exposici\u00f3n individual completa en el Kunstverein Heilbronn en 2017 - despu\u00e9s de las exposiciones de gabinete en 2011 en el Museo Ludwig, Colonia, y 2007 en el MMK de Frankfurt am Main. Este libro repasa la exposici\u00f3n en la Kunstverein Heilbronn y ofrece una visi\u00f3n general de su obra. Para las grandes exposiciones individuales, siempre realiza murales que llenan la sala y recuerdan paisajes, sobre los que coloca obras sobre papel y lienzo. Las im\u00e1genes ling\u00fc\u00edsticas que surgen ante los ojos del espectador y, con su car\u00e1cter onomatop\u00e9yico, incitan a los visitantes a repetirlas en voz alta, \ufb02oating entre la lectura y la mirada - el pensamiento de la m\u00fasica y el ritmo viene inevitablemente a la mente: Mirar y leer se unen as\u00ed a la escucha. El hecho de que a veces se incluyan aqu\u00ed palabras que significan dolor (ARGH) o desgana (ECH) a\u00f1ade una nota cr\u00edtica a la alegre representaci\u00f3n, ya que el propio Carl Ostendarp afirma que sus instalaciones pretenden expresar las sensibilidades sociales, pol\u00edticas y psicol\u00f3gicas de la sociedad contempor\u00e1nea. En 2017, su color preferido era el gris, pero esto no se aplica a su obra mural actual en Baden-Baden, que constituye la base de la presentaci\u00f3n de la colecci\u00f3n de los hermanos Burda.<\/p>\n
Exposici\u00f3n:
\nKunstverein Heilbronn, 23\/9 - 26\/11\/2017<\/p>","protected":false},"excerpt":{"rendered":"
Cat\u00e1logo de la exposici\u00f3n, Kunstverein Heilbronn, editado por Matthia L\u00f6bke
\nTextos (alem\u00e1n\/ingl\u00e9s) de Matthia L\u00f6bke, Lane Releya
\n160 p. con 150 ilustraciones
\nFormato 27 x 21 cm, folleto 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