La innovadora obra de David Reed ha realizado su autodefinici\u00f3n pict\u00f3rica en el contexto de los movimientos de \u00e9poca del Expresionismo Abstracto, el Pop Art y el Minimalismo. La importancia de Reed, que a\u00fan no ha sido plenamente reconocida, radica en el hecho de que ha demostrado, tanto con opulencia sensual como con claridad anal\u00edtica, qu\u00e9 autotransformaciones debe alcanzar la pintura para lograr resultados adecuados en las condiciones de una realidad digital. La pintura de David Reed se alimenta de la experiencia b\u00e1sica de una realidad que s\u00f3lo puede experimentarse al modo de las im\u00e1genes. Detr\u00e1s de la experiencia supuestamente aut\u00e9ntica, del cuerpo aparentemente real, acechan siempre im\u00e1genes suced\u00e1neas, porque en el cosmos de Reed lo suced\u00e1neo ocupa el lugar de lo aut\u00e9ntico, porque en un mundo dominado por las im\u00e1genes, la experiencia \u00fanica de lo real tiene lugar en el modo de repetici\u00f3n de im\u00e1genes ya preformadas. La experiencia del suced\u00e1neo se remonta a finales de la d\u00e9cada de 1960, cuando Reed practicaba la cl\u00e1sica pintura plein air en los solitarios paisajes des\u00e9rticos de Nuevo M\u00e9xico y Arizona. Tras una ma\u00f1ana dedicada a la pintura, va en busca de sombra a una cueva cercana a Monument Valley, bebe de un manantial que le resulta extra\u00f1amente familiar y, finalmente, llega a un peque\u00f1o ca\u00f1\u00f3n que tambi\u00e9n le resulta familiar. La raz\u00f3n de esta extra\u00f1a familiaridad, que irradia este lugar hasta entonces desconocido, s\u00f3lo le qued\u00f3 clara al pintor muchos a\u00f1os despu\u00e9s: una vez hab\u00eda visto la cueva en el western de John Ford \"The Searchers\" (1956). El primer libro ilustrado de los esbeltos lienzos sobredimensionados, en su mayor\u00eda de formato apaisado, esperado con impaciencia durante a\u00f1os por los amantes del arte abstracto, los presenta por primera vez en un tama\u00f1o adecuado, sin la ayuda de inoportunos paneles plegables, en un libro denominado plano.<\/p>\n
Exposici\u00f3n:
\nKunstmuseum Bonn, 28\/6 - 7\/10\/2012<\/p>","protected":false},"excerpt":{"rendered":"
Cat\u00e1logo de la exposici\u00f3n, Kunstmuseum Bonn, editado por Stephan Berg
\nTextos (alem\u00e1n\/ingl\u00e9s) de Stephan Berg, Christoph Schreyer, Richard Shiff
\n144 p. con 80 ilustraciones en color
\nFormato 30 x 24 cm, folleto como libro 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