Albert Gideon Brinckmann proporcion\u00f3 el impulso institucional necesario para poner en contacto la m\u00e1s bien conservadora capital de provincia de Hannover con la vanguardia art\u00edstica cuando en 1912 asumi\u00f3 la direcci\u00f3n del Museo Kestner y cambi\u00f3 radicalmente la pol\u00edtica de adquisiciones. Ya antes de la Primera Guerra Mundial, Herbert von Garvens hab\u00eda amasado una colecci\u00f3n de arte moderno, empresarios privados como Hermann Bahlsen y Fritz Beindorff (Pelikan) hab\u00edan encargado obras a artistas modernos y establecido un compromiso c\u00edvico que culmin\u00f3 con la fundaci\u00f3n de la Sociedad Kestner en 1916. Al igual que la formaci\u00f3n de la Secesi\u00f3n de Hannover a partir de 1917, promovi\u00f3 el examen de las tendencias contempor\u00e1neas a trav\u00e9s de exposiciones y publicaciones: expresionismo, abstracci\u00f3n, nueva objetividad, y permiti\u00f3 a Hannover madurar hasta convertirse en una \"ciudad del arte moderno\". Kurt Schwitters fue uno de los artistas m\u00e1s importantes de la \u00e9poca de Weimar y un activo \"creador de redes\" que trajo a Hannover a artistas como El Lissitzky (Kabinett der Abstrakten) y Naum Gabo. Alexander Dorner revolucion\u00f3 la presentaci\u00f3n y mediaci\u00f3n del arte en el Museo Provincial, y la vanguardia en torno a Schwitters se reun\u00eda en el sal\u00f3n de K\u00e4te Steinitz; surgieron grupos de artistas como \"die abstrakten hannover\", y una variedad hannoveriana de la Nueva Objetividad se desarroll\u00f3 a partir de la Escuela de Artes y Oficios de la ciudad. Sin embargo, todas estas actividades, que se extendieron m\u00e1s all\u00e1 de Hannover, terminaron abruptamente cuando los nacionalsocialistas tomaron el poder. Adem\u00e1s de la exposici\u00f3n, el libro abordar\u00e1 temas como la arquitectura, el cine y la literatura, por lo que puede convertirse en una obra de referencia sobre este animado periodo de la historia hannoveriana.<\/p>\n
Exposici\u00f3n:
\nMuseo Sprengel de Hannover, 23\/9\/2017-7\/1\/2018<\/p>","protected":false},"excerpt":{"rendered":"
Cat\u00e1logo de la exposici\u00f3n, Sprengel Museum Hannover, editado por Karin Orchard
\nTextos (alem\u00e1n) de Kai-Uwe Hemken, Karin Orchard, Thomas R\u00f6ske, Isabel Schulz, Reinhard Spieler, Peter Struck, Christina V\u00e9gh y muchos otros.
\n336 p. con 312 ilustraciones en color
\nFormato 26 x 22 cm, tapa 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