{"id":3757,"date":"2025-01-31T11:32:17","date_gmt":"2025-01-31T11:32:17","guid":{"rendered":"https:\/\/snoeck.process-vision.de\/shop\/paul-schwer-von-beiden-enden\/"},"modified":"2026-04-08T15:17:53","modified_gmt":"2026-04-08T14:17:53","slug":"paul-schwer-von-beiden-enden","status":"publish","type":"product","link":"https:\/\/snoeck.de\/es\/shop\/paul-schwer-von-beiden-enden\/","title":{"rendered":"Paul Schwer: Desde ambos extremos"},"content":{"rendered":"<h3>No hay belleza sin peligro<\/h3>\n<p>Paul Schwer (*1951) interviene con aplomo en la arquitectura o los paisajes existentes a trav\u00e9s de sus obras escult\u00f3ricas y pict\u00f3ricas. Su repertorio de formas y materiales se ha centrado siempre en la escultura aut\u00f3noma, ya que es en ella donde se reflejan m\u00e1s sucintamente las condiciones culturales y sociales. Todo comenz\u00f3 a finales de la d\u00e9cada de 1980 en la pintura con motivos figurativos cuya materialidad parec\u00eda disolverse a trav\u00e9s de constelaciones de colores borrosos. Luego, en la d\u00e9cada de 1990, el artista se vio forzado al espacio, sus cuadros abandonaron la pared, y en el patr\u00f3n que desarroll\u00f3, en espiral como el ADN, el color y la luz se entrelazaron con el espacio y el movimiento. El resultado son obras que parecen crudas, fr\u00e1giles, como retocadas, pero tambi\u00e9n aur\u00e1ticamente luminosas y sencillamente bellas. Stephan Berg (Kunstmuseum Bonn) reconoci\u00f3 en ellas una mezcla de flotabilidad po\u00e9tica y suavidad que va y viene entre los polos de la est\u00e1tica (construida) y la din\u00e1mica (contingente). O como dijo Johann Hartle (\u00c1msterdam), citando el t\u00edtulo de una canci\u00f3n de Einst\u00fcrzende Neubauten: \"No hay belleza sin peligro\". Para Hartle, la obra de Paul Schwer a\u00fana estos dos conceptos en un simbolismo espacial que promueve la espontaneidad de la expresi\u00f3n pol\u00edtica, as\u00ed como la apropiaci\u00f3n del propio cuerpo. Hartle cita un bon mot de Sartre: El artista es como un perro sin cerebelo que ha perdido toda seguridad, todo apego y toda certeza. Con su idea heroica y autoextinguible de la autor\u00eda art\u00edstica en el momento de la belleza peligrosa, Paul Schwer confirma esta caracterizaci\u00f3n del artista de coraz\u00f3n aventurero.<\/p>\n<p>Exposiciones:<br \/>\nMuseo Ratingen, 29\/6 - 30\/9\/2018<br \/>\nMuseo Goch, 1\/7 - 9\/9\/2018<\/p>","protected":false},"excerpt":{"rendered":"<p>Cat\u00e1logo de la exposici\u00f3n, Museum Ratingen, Museum Goch, editado por Alexandra K\u00f6nig y Stephan Mann<br \/>\nTextos (alem\u00e1n\/ingl\u00e9s) de Jan Hoet, Gregor Janssen, Ludwig Seyfarth<br \/>\n128 p. con 80 ilustraciones en color<br \/>\nFormato 30 x 24 cm, tapa 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