{"id":3758,"date":"2025-01-31T11:32:18","date_gmt":"2025-01-31T11:32:18","guid":{"rendered":"https:\/\/snoeck.process-vision.de\/shop\/norbert-schwontkowski-blind-faith\/"},"modified":"2025-03-29T14:23:44","modified_gmt":"2025-03-29T14:23:44","slug":"norbert-schwontkowski-blind-faith","status":"publish","type":"product","link":"https:\/\/snoeck.de\/es\/shop\/norbert-schwontkowski-blind-faith\/","title":{"rendered":"Norbert Schwontkowski: Fe ciega"},"content":{"rendered":"<h3>Ok, \u00a1el d\u00eda del juicio puede llegar!<\/h3>\n<p>A la vista de la obra pict\u00f3rica de Norbert Schwontkowski, nacido en Bremen en 1949, se plantea la pregunta fundamental: \u00bfQu\u00e9 forma de pintura sigue siendo posible en absoluto como consecuencia del cambio tecnol\u00f3gico y la p\u00e9rdida asociada tanto de los mundos de experiencia propios como de la propia identidad f\u00edsica? Florian Waldvogel, director de la Kunstverein de Hamburgo, examina esta relaci\u00f3n en \"Die H\u00f6lle in Zeitlupe\", su contribuci\u00f3n como editor de este volumen, que por fin vuelve a hacer accesible en forma de libro la obra del popular pintor noralem\u00e1n despu\u00e9s de que las \u00faltimas publicaciones estuvieran agotadas durante alg\u00fan tiempo. Pero tambi\u00e9n est\u00e1 el \"Schwontkowskieske\", como subraya en su ensayo Jens Hoffmann, director adjunto del Museo Jud\u00edo de Nueva York. Por un lado, puede tratarse del ingenio seco pintado, recientemente ennoblecido por Richard Prince, pero por otro lado tambi\u00e9n puede ser el escenario catastrofista aparentemente kafkiano, sombr\u00edo e impasto-pintado, la niebla t\u00f3xica en el parque de esculturas, por ejemplo, a trav\u00e9s de la cual rueda una avalancha de coches, o una autopista perdida en el sol poniente. Esta cualidad tragic\u00f3mica de los lienzos es posiblemente el colorido preludio de ... Judgement Day.<\/p>\n<p>Exposici\u00f3n:<br \/>\nKunstverein de Hamburgo, 26\/1 - 14\/4\/2013<\/p>","protected":false},"excerpt":{"rendered":"<p>Cat\u00e1logo de la exposici\u00f3n, Kunstverein de Hamburgo, editado por Florian Waldvogel<br \/>\nTextos (alem\u00e1n\/ingl\u00e9s) de Anna Ballestrem, Jens Hoffmann y Florian Waldvogel<br \/>\n120 p. con 85 ilustraciones en color<br \/>\nFormato 32 x 23,5 mm, tapa 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