David Smith (1906-1965) es uno de los artistas m\u00e1s destacados del siglo XX. Conceptualmente, la distinci\u00f3n entre escultura, pintura y dibujo dej\u00f3 de ser una opci\u00f3n para \u00e9l. Sus obras derivan gran parte de su fuerza de este enfoque radicalmente abierto. Aunque la pura fisicidad de las esculturas de acero soldado tiene una apariencia fuertemente industrial, sus superficies se caracterizan siempre por apariencias gestuales y h\u00e1pticas, que se crean aplicando pintura a mano. El impacto de su obra radica, entre otras cosas, en su insistencia en que la escultura tiene el mismo significado visual que la pintura y el dibujo, y que la pintura y el dibujo tienen el mismo efecto espacial. Este cat\u00e1logo abarca 21 obras, desde finales de los a\u00f1os 50 hasta 1965, y documenta as\u00ed su evoluci\u00f3n con la ayuda de un rico material visual, que incluye fotograf\u00edas hist\u00f3ricas procedentes del archivo del patrimonio de David Smith. David Smith, nacido en 1906 en Decatur, Indiana, curs\u00f3 estudios universitarios en la Universidad de Ohio, entre otras, y se traslad\u00f3 a Nueva York en 1926, donde comenz\u00f3 a estudiar en la Art Students League. A principios de la d\u00e9cada de 1930, se centr\u00f3 por completo en la escultura, soldando construcciones a partir de objetos encontrados y metal forjado. En 1940, se traslad\u00f3 a Bolton Landing, a las afueras de Nueva York, donde instal\u00f3 un estudio en una nave industrial, ricamente equipada con materiales y herramientas industriales. A partir de finales de la d\u00e9cada de 1950, cre\u00f3 obras monumentales en el paisaje de colinas que rodeaba su estudio. En 1965, David Smith muri\u00f3 en un accidente de coche cerca de Bennington (Vermont). David Smith allan\u00f3 el camino a artistas como John Chamberlain, Mark di Suvero, Donald Judd y Richard Serra, ya que fue \u00e9l quien liber\u00f3 el lugar de producci\u00f3n de esculturas de las restricciones del estudio del artista del siglo XIX y de las fundiciones de arte y lo vincul\u00f3 al contexto industrial del siglo XX.<\/p>\n
Exposici\u00f3n:
\nHauser & Wirth Z\u00farich, 12\/6-18\/9\/2016<\/p>","protected":false},"excerpt":{"rendered":"
Cat\u00e1logo de la exposici\u00f3n, publicado por Hauser & Wirth
\nTextos (ing.) de Peter Stevens, Michelle White, Neil Wenman
\n144 p. con 80 ilustraciones en color y 50 ilustraciones en duotono
\nFormato 30 x 20,5 cm, lino con 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