{"id":3818,"date":"2025-01-31T11:32:52","date_gmt":"2025-01-31T11:32:52","guid":{"rendered":"https:\/\/snoeck.process-vision.de\/shop\/yafeng-duan-form-of-the-formless\/"},"modified":"2026-04-08T15:31:42","modified_gmt":"2026-04-08T14:31:42","slug":"yafeng-duan-form-of-the-formless","status":"publish","type":"product","link":"https:\/\/snoeck.de\/es\/shop\/yafeng-duan-form-of-the-formless\/","title":{"rendered":"Yafeng Duan: La forma de lo informe"},"content":{"rendered":"<h3>\u00bfC\u00f3mo influye el azar en el trabajo?<\/h3>\n<p>Lo m\u00e1s importante al pintar es desconectar la cabeza y dejarse guiar, dice el pintor germano-chino Yafeng Duan, nacido en Hebei en 1973 y residente en Berl\u00edn. \u00bfC\u00f3mo participan los colores, c\u00f3mo se comportan el lienzo y el papel, hacia d\u00f3nde lleva el pincel la mano? Luz y densidad, claridad y oscuridad, mundo interior y exterior, pinceladas anchas y l\u00edneas finas en la tradici\u00f3n de la pintura a tinta, resistencia y fluidez, superficies s\u00f3lidas y colores flotantes. Seg\u00fan Duan, todo ello se corresponde con el ritmo de la inspiraci\u00f3n y la espiraci\u00f3n. A ello se a\u00f1ade el azar, que puede entrar en juego sin connotaciones esot\u00e9ricas, como en el caso de la t\u00e9cnica compositiva de John Cage, por ejemplo, que utilizaba el \"I Ching\" como principio estructurador. As\u00ed pues, las ideas sobre la forma est\u00e1n siempre vinculadas a cuestiones de proceso: \u00bfC\u00f3mo influye el azar en la obra, cu\u00e1nto azar es bueno para ella? Al proceder del tao\u00edsmo, se invocan casi inevitablemente los principios del yin y el yang. Originalmente, estos t\u00e9rminos representaban la \"oscuridad en la orilla sur del r\u00edo\", un \"lugar sombr\u00edo\" (yin) o, en contraste con esto, el \"resplandor del sol, la colina soleada en el lado sur de las monta\u00f1as\" (yang). Tambi\u00e9n se dice que la pintura abstracta de Yafeng Duan crea espacios que s\u00f3lo pueden abrirse con una observaci\u00f3n m\u00e1s prolongada, que no todos permanecen, que algunos se deforman o incluso se disuelven por completo.<\/p>\n<p>Exposici\u00f3n:<br \/>\nGaler\u00eda Michael Janssen, Berl\u00edn, 27\/1 - 18\/3\/2023<\/p>","protected":false},"excerpt":{"rendered":"<p>Cat\u00e1logo de la exposici\u00f3n Galerie Michael Janssen, texto (ing.\/chin.) de Jurriaan Benschop<br \/>\n32 p. con 20 ilustraciones en color<br \/>\nFormato 29,5 x 21 cm, cuadernillo cosido con 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