En sus proyectos, que a primera vista parecen heterog\u00e9neos, Philip Topolovac analiza las condiciones en que percibimos la realidad y cuestiona el significado que atribuimos a lo que percibimos. \u00bfQu\u00e9 es real? \u00bfQu\u00e9 est\u00e1 hist\u00f3ricamente condicionado? \u00bfQu\u00e9 juzgamos por su valor? \u00bfEs nuestro mundo realmente como hemos aprendido a imaginarlo? La creaci\u00f3n art\u00edstica es un tema que, para el artista, tiene lugar principalmente en la mente del espectador: la percepci\u00f3n como proyecci\u00f3n e interpretaci\u00f3n es un tema central en muchas obras. El objetivo de esta publicaci\u00f3n es, por tanto, captar el tema central de la obra de Topolovac. El mundo como modelo, la obra de arte como atrezzo: este aspecto central de su obra se refleja tambi\u00e9n en la \u00faltima serie de \"Profetas\" (2025), en la que impresiones faciales \"ext\u00e1ticas\" de modelos barrocos de figuras de santos se moldean en modelos de cabeza realistas hechos de poliestireno y plastilina. Como escultura, tambi\u00e9n ha recreado una columna de hormig\u00f3n (2023) de la cervecer\u00eda Berghain convertida en fuente. En los \u00faltimos a\u00f1os, Philip Topolovac tambi\u00e9n ha conseguido reunir una extensa colecci\u00f3n de objetos da\u00f1ados por la guerra que ha rescatado de los vertederos de Berl\u00edn. Los numerosos terrenos bald\u00edos de posguerra a lo largo del Muro y en el resto dividido de la ciudad se han edificado a toda velocidad desde la reunificaci\u00f3n. El boom inmobiliario s\u00f3lo abre una peque\u00f1a ventana al dram\u00e1tico pasado, del que siguen surgiendo pruebas de la gran destrucci\u00f3n de Berl\u00edn durante la guerra. En el proceso, los lugares contaminados destinados a la eliminaci\u00f3n asoman del suelo como si salieran del subconsciente de la ciudad. La obra \"Orfeo\", una cabeza curtida que puede verse como una escultura flotante en un lago berlin\u00e9s, procede de un contexto similar -aunque es claramente m\u00e1s on\u00edrica- y pueden escucharse arias de la \u00f3pera de Gluck \"Orfeo ed Euridice\" (1762) en diferentes intervalos. Topolovac siempre funde la tragedia del mito y la realidad en enigmas surrealistas y simboliza as\u00ed la g\u00e9nesis del libro.<\/p>\n
Lanzamiento de libro: 18:30 h, 23.4.2026 Caf\u00e9 Dix, en la Berlinische Galerie<\/p>","protected":false},"excerpt":{"rendered":"
Texto (alem. \/ ingl.) de Knut Ebeling, Christine Heidemann, Anne Waak, as\u00ed como una conversaci\u00f3n de Max Dax con Alexander Kluge sobre parcelas de escombros en Berl\u00edn.
\n208 p\u00e1gs. con 195 ill. en color y 50 ill. en blanco y negro.
\nFormato 30 x 24 cm, encuadernaci\u00f3n en tela 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