L'eau est fortement indiff\u00e9rente. D'une part, elle est omnipr\u00e9sente, \u00e0 l'origine de toute vie et donc \u00e9troitement li\u00e9e \u00e0 l'existence dans toutes ses dimensions. D'autre part, elle n'a pas de forme fixe, de couleur sp\u00e9cifique ou d'odeur propre ; elle se pr\u00e9sente sous d'innombrables formes et \u00e9chappe \u00e0 la d\u00e9finition d'une signification unique et donc d'une forme de d\u00e9termination d\u00e9finitive. Il est en relation avec l'environnement, constitue notre plan\u00e8te bleue et notre propre corps, il relie en tant que voie commerciale et s\u00e9pare en tant que fronti\u00e8re, il sert \u00e0 la purification ou au repos et est en m\u00eame temps dangereux, un lieu de malheur potentiel. Elle marque des forces spirituelles et se transforme en une marchandise \u00e2prement disput\u00e9e \u00e0 l'\u00e9poque des ordres \u00e9conomiques n\u00e9olib\u00e9raux. Enfin, l'eau en tant que ressource renvoie \u00e0 la question sociale la plus urgente du 21e si\u00e8cle : la crise climatique. En m\u00eame temps, la particularit\u00e9 de ce th\u00e8me a ouvert aux conservatrices de la Kunsthalle Bielefeld de nouvelles perspectives sur leur propre collection et a ainsi offert des points d'ancrage aux d\u00e9bats mondiaux et sociaux actuels. Le th\u00e8me de l'eau soul\u00e8ve des questions complexes qui touchent \u00e0 la culture, \u00e0 la nature, \u00e0 la politique, \u00e0 l'\u00e9conomie, au corps et \u00e0 l'esprit. Il est donc tr\u00e8s actuel et omnipr\u00e9sent en tant qu'objet de projets internationaux de curateurs, d'artistes et de scientifiques aux multiples facettes. L'observation du nombre exceptionnellement \u00e9lev\u00e9 d'\u0153uvres de la collection de la Kunsthalle qui traitent de l'\u00e9l\u00e9ment eau montre non seulement que le th\u00e8me est attrayant pour les artistes aux approches formelles et narratives les plus diverses, mais aussi que l'eau est une source d'inspiration pour les artistes. L'artiste am\u00e9ricaine Roni Horn et son \u0153uvre \"Saying Water\" (2012) ont toutefois donn\u00e9 une impulsion importante \u00e0 l'exposition et au livre. Dans celle-ci, elle m\u00e8ne un monologue sur l'eau et nous fait comprendre que nous voulons tous dire quelque chose de diff\u00e9rent lorsque nous parlons d'eau. Son travail important a ainsi ouvert la voie \u00e0 l'exposition Suivre l'eau et a permis de porter un nouveau regard sur cet \u00e9l\u00e9ment :
\nKunsthalle Bielefeld, 4\/6 - 16\/10\/2022<\/p>\n
Artistes* :
\nKatinka Bock, Carolina Caycedo, Lovis Corinth, Catherina Cramer & Giulietta Ockenfu\u00df, Ludwig Dill, Karl Ellermann, Max Ernst, Lyonel Feininger, Conrad Felixm\u00fcller, Hermann Freudenau, Henri Gaudier-Brzeska, Hella Guth, Franz Hecker, Klara Hobza, Ferdinand Hodler, Ludwig von Hofmann, Roni Horn, Axel Kasseb\u00f6hmer, Jacques Lipchitz, Henri Manguin, Anton Melbye, Otto Modersohn, Gabriele M\u00fcnter, Kenneth Noland, Adrian Paci, Enrique Ram\u00edrez, Ernst Sagewka, Robert Smithson, Hiroshi Sugimoto, Heinrich Vogeler, etc. et bien d'autres.<\/p>\n
Exposition :
\nKunsthalle Bielefeld, 4\/6 - 16\/10\/2022<\/p>","protected":false},"excerpt":{"rendered":"
Catalogue d'exposition, \u00e9d. Christina V\u00e9gh, Laura Rehme et Linda Walther
\nTextes (all.) d'Astrida Neimanis (pour la premi\u00e8re fois en allemand), Laura Rehme et Linda Walther, Christina V\u00e9gh
\n100 p. avec 100 illustrations en couleur
\nformat 27 x 21 cm, broch\u00e9 avec 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