HOME (2016), tel est le nom de la derni\u00e8re installation vid\u00e9o de Willie Doherty, participant \u00e0 la Documenta (2012) et repr\u00e9sentant de l'Irlande \u00e0 la Biennale de Venise (2007). Willie Doherty a toujours r\u00e9fl\u00e9chi de mani\u00e8re subtile \u00e0 la situation politique pr\u00e9caire de l'Irlande du Nord, en se concentrant sur les sensibilit\u00e9s individuelles qui oscillent entre s\u00e9curit\u00e9 et menace, vuln\u00e9rabilit\u00e9 et int\u00e9grit\u00e9 - tout comme il s'interroge d\u00e9sormais, de mani\u00e8re plus g\u00e9n\u00e9rale, sur le contexte de la migration et de l'appartenance sociale. HOME tourne autour de la th\u00e9matique des r\u00e9fugi\u00e9s, tandis que les \u0153uvres vid\u00e9o \"The Amnesiac\" (2014) et \"Buried\" (2009) associent les aspects de la m\u00e9moire au d\u00e9sir d'int\u00e9grit\u00e9 individuelle. L'installation \"Remains\" (2013) joue en revanche avec l'id\u00e9e de la m\u00e9moire collective en portant son attention sur la pratique du \"kneecapping\", entretenue par trois g\u00e9n\u00e9rations de l'IRA. Cette pratique consistait \u00e0 punir les d\u00e9viants ou les tra\u00eetres r\u00e9els ou suppos\u00e9s en leur tirant une balle dans l'une des rotules. Les vid\u00e9os, qui stimulent fortement l'imagination, sont toujours accompagn\u00e9es de photographies, pour la plupart documentaires. Entre les deux p\u00f4les de l'authenticit\u00e9 et de la fiction, Willie Doherty explore les conditions du filmique et joue habilement avec les genres du film d'action, du film d'auteur ou du documentaire. Sa technique d'image s'apparente alors \u00e0 un r\u00e9cit criminel : elle accro\u00eet l'indiscernabilit\u00e9 entre la menace concr\u00e8te et la peur de l'ind\u00e9termin\u00e9, les structures narratives et leurs possibilit\u00e9s d'interpr\u00e9tation restent largement ouvertes. Les photographies et vid\u00e9os de Willie Doherty invitent donc \u00e0 un rapport ouvert avec des images que nous n'aborderions autrement qu'avec une extr\u00eame m\u00e9fiance.<\/p>\n
Exposition :
\nVilla Merkel Galeries municipales d'Esslingen, 14\/2 - 24\/4\/2016<\/p>","protected":false},"excerpt":{"rendered":"
Catalogue d'exposition, Villa Merkel Esslingen, \u00e9d. par Andreas Baur
\nTextes (dt\/eng.) d'Andreas Baur, Clea Laade et Anka Wenzel
\n112 p. avec 80 illustrations en couleur
\nformat 22 x 30 cm, couverture 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