Avec la Pologne, le Prix d'art Dorothea von Stetten 2022 est d\u00e9di\u00e9 \u00e0 une sc\u00e8ne artistique extr\u00eamement polyphonique, incroyablement vitale et hautement r\u00e9fl\u00e9chie. Dans le contexte social d'un catholicisme encore tr\u00e8s rigide (98 % de la population polonaise se d\u00e9clarent catholiques pratiquants) d'une part et d'un n\u00e9olib\u00e9ralisme urbain d'autre part, de nombreuses propositions artistiques, souvent performatives et installatives, tournent de pr\u00e9f\u00e9rence autour des questions d'identit\u00e9, de nationalit\u00e9 et de religion. La jeune sc\u00e8ne actuelle se distingue ainsi aussi bien des repr\u00e9sentants de l'\"art critique\" des ann\u00e9es 1990, comme Pawe\u0142 Althamer ou Artur Zmijewski, que de la g\u00e9n\u00e9ration de peintres postcommunistes, comme Wilhelm Sasnal ou Rafa\u0142 Bujnowski, qui, apr\u00e8s 2000, ont plac\u00e9 les banalit\u00e9s de la vie quotidienne au premier plan de leurs recherches. La s\u00e9lection des positions repr\u00e9sent\u00e9es dans l'exposition refl\u00e8te de mani\u00e8re impressionnante l'ampleur, l'intensit\u00e9 et la profondeur critique avec lesquelles la jeune g\u00e9n\u00e9ration d'artistes polonais aborde ses champs th\u00e9matiques. Ainsi, Zuza Goli\u0144ska (*1990) s'interroge sur la place du corps dans le monde avec ses arrangements de sculptures suggestifs, tandis que Diana Lelonek (*1988) aborde de mani\u00e8re critique l'id\u00e9e d'une croissance illimit\u00e9e et notre utilisation irresponsable des ressources naturelles dans ses installations foisonnantes. Enfin, Daniel Rycharski (*1986) travaille, dans son \u0153uvre fortement marqu\u00e9e par des \u00e9l\u00e9ments actionnistes, \u00e0 un d\u00e9passement des antagonismes au sein de la culture polonaise et prend ainsi clairement position contre la revendication normative de l'orientation h\u00e9t\u00e9rosexuelle.<\/p>\n
Exposition :
\nMus\u00e9e d'art de Bonn, 16\/6 - 4\/9\/2022<\/p>","protected":false},"excerpt":{"rendered":"
Catalogue d'exposition, Kunstmuseum Bonn, \u00e9d. par Stephan Berg
\nTextes (all.\/ang.) de Sebastian Cichocki, Anda Rottenberg, Monika Szwczyk
\n120 p. avec 96 illustrations en couleur
\nformat 26 x 21 cm, brochure \u00e0 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