Cet \u00e9t\u00e9, Peter Dreher a f\u00eat\u00e9 son 80e anniversaire. L'\u0153uvre artistique vari\u00e9e de cet \u00e9m\u00e9rite de l'Acad\u00e9mie des beaux-arts de Karlsruhe, n\u00e9 \u00e0 Mannheim, trouve son apog\u00e9e dans une s\u00e9rie qui se poursuit sans interruption depuis 1974. Les panneaux de 25 x 20 cm, r\u00e9alis\u00e9s \u00e0 l'huile sur toile ou sur carton, repr\u00e9sentent toujours un seul verre sous le titre \"Tag um Tag guter Tag\" (jour apr\u00e8s jour, bon jour) qui r\u00e9sume la s\u00e9rie. A l'occasion de la donation de plus de 400 \u0153uvres de cette s\u00e9rie au Museum f\u00fcr Neue Kunst de Fribourg, l'artiste \u00e9crit aujourd'hui dans un article : \"Une id\u00e9e que j'avais \u00e0 la fin des ann\u00e9es soixante et au d\u00e9but des ann\u00e9es soixante-dix \u00e9tait de peindre un tableau qui soit invisible. C'est bien s\u00fbr un objectif impossible \u00e0 atteindre. Un imp\u00e9ratif qui semble impossible \u00e0 r\u00e9aliser autrement qu'en peignant ce qui est le plus simple possible... La chose la plus simple qui soit, c'est la r\u00e9alit\u00e9 in\u00e9luctable qui nous entoure. J'ai toujours eu peur des images narratives charg\u00e9es de sens. Mais l'image isol\u00e9e perd tout lien avec la r\u00e9alit\u00e9 d\u00e8s qu'elle est r\u00e9p\u00e9t\u00e9e. Ce n'est plus que de la peinture. C'est ainsi que j'ai eu l'id\u00e9e de peindre la m\u00eame chose \u00e0 plusieurs reprises... Je m'en souviens tr\u00e8s bien : le concept de la s\u00e9rie sur le verre - nous \u00e9tions en avril 1974, et j'\u00e9tais allong\u00e9 dans une baignoire br\u00fblante - est apparu en une seconde. J'ai soudain su exactement : il devait s'agir d'un objet, et cet objet devait se trouver toujours \u00e0 la m\u00eame distance de moi, sous une lumi\u00e8re artificielle toujours identique ... \u00c0 l'\u00e9poque, je pensais faire cinq ou six tableaux de ce genre, sans changer de motif, pour que l'on comprenne bien ce que je voulais dire. Au d\u00e9but, il y en avait donc six, puis j'ai eu envie d'en peindre encore et encore - et aujourd'hui, il y en a 5000\".<\/p>\n
Exposition :
\nMus\u00e9e d'art contemporain, Fribourg, 25\/11\/2012-7\/4\/2013<\/p>","protected":false},"excerpt":{"rendered":"
Catalogue d'exposition, \u00e9dit\u00e9 par le Mus\u00e9e d'art contemporain de Fribourg
\nTextes (all.\/ang.\/fran\u00e7ais) de Peter Dreher et Christine Litz
\n180 p. avec 500 couleurs. illustrations
\nformat 29 x 24 cm, couverture 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