{"id":3598,"date":"2025-01-31T11:30:44","date_gmt":"2025-01-31T11:30:44","guid":{"rendered":"https:\/\/snoeck.process-vision.de\/shop\/eberhard-havekost-u-say-love\/"},"modified":"2025-04-01T15:59:33","modified_gmt":"2025-04-01T15:59:33","slug":"eberhard-havekost-u-say-love","status":"publish","type":"product","link":"https:\/\/snoeck.de\/fr\/shop\/eberhard-havekost-u-say-love\/","title":{"rendered":"Eberhard Havekost : U Say Love"},"content":{"rendered":"<h3>La r\u00e9solution de l'objet<\/h3>\n<p>\u00c0 premi\u00e8re vue, la discontinuit\u00e9 d\u00e9termine le travail d'Eberhard Havekost. Dans leur sens du r\u00e9alisme, certaines des derni\u00e8res peintures des ann\u00e9es 2017-2019 sont presque parfaites. Le kangourou du titre fixe le spectateur, il semble \u00e9bloui par la lumi\u00e8re crue, peut-\u00eatre celle d'un phare de voiture. Son corps est comme fig\u00e9, sa posture est une anticipation de la rigor mortis. D'autres tableaux sont abstraits, combinant des coups de pinceau dynamiques et gestuels avec le grattage de la peinture. Dans d'autres tableaux, des couleurs telles qu'un orange vif, un jaune citron ou un rouge \u00e9carlate s'entrem\u00ealent, sugg\u00e9rant un brouillard de fum\u00e9e. Ensuite, un vert sulfureux semble presque uniforme et donc un peu jaun\u00e2tre, comme s'il \u00e9tait acide, \u00e9touffant et mordant sur la toile. Le processus de la peinture devient chimique lorsque Eberhard Havekost enl\u00e8ve couche apr\u00e8s couche de peinture avec de la t\u00e9r\u00e9benthine, c'est-\u00e0-dire qu'il la liqu\u00e9fie \u00e0 nouveau pour qu'elle semble se dissoudre. Ainsi, les tableaux d'Eberhard Havekost vont plus loin que la r\u00e9alit\u00e9. Elles tournent autour de la dissolution de l'objet, car il s'agit pour lui dans son \u0153uvre de reconstruire, de voir quelque chose et de le reconstruire. Mais l'image reste plate, elle n'est pas seulement imagination, elle reste objet, elle est douce et peut ainsi \u00eatre charg\u00e9e de diff\u00e9rentes significations.<\/p>\n<p>Exposition :<br \/>\nCFA Contemporary Fine Arts Berlin, 26\/4 - 1\/6\/2019<\/p>","protected":false},"excerpt":{"rendered":"<p>Catalogue d'exposition, Contemporary Fine Arts CFA Berlin, \u00e9d. Bruno Brunnet et Nicole Hackert<br \/>\nTextes (all.\/ang.) de Kito Nedo, Louisa Elderton<br \/>\n48 p. avec 35 illustrations en couleur<br \/>\nFormat 28 x 20 cm, cahier agraf\u00e9 avec cinq planches \u00e0 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