Depuis les grandes expositions r\u00e9trospectives de 2005, l'\u0153uvre de Georg Herold (*1947) a connu d'\u00e9normes changements. Son utilisation souvent incomprise du bois ou de la latte de toit a \u00e9t\u00e9 consid\u00e9rablement modifi\u00e9e par l'artiste, de sorte qu'il appara\u00eet encore une fois plus clairement qu'il ne s'est jamais agi pour lui d'utiliser en priorit\u00e9 des mat\u00e9riaux dits pauvres, c'est-\u00e0-dire de prouver que l'art peut na\u00eetre de mat\u00e9riaux \"simples\". Les multiples travaux sur toile avec des briques ou du caviar ont d\u00e9j\u00e0 r\u00e9fut\u00e9 cette interpr\u00e9tation. Toutefois, Georg Herold a toujours tendu des pi\u00e8ges au spectateur avec des titres ironiques, car selon lui, rien \"ne peut \u00eatre transmis par le biais de la narration si l'on ne veut pas que ce soit compl\u00e8tement ennuyeux\". C'est ainsi qu'il s'est engag\u00e9 ces derni\u00e8res ann\u00e9es dans une voie radicalement diff\u00e9rente, sans devenir narratif. De simples lattes de toit, avec leurs possibilit\u00e9s d'\u00eatre un support, un cadre ou un espace r\u00e9serv\u00e9 pour quelque chose, deviennent maintenant des \u00e9l\u00e9ments d'une sculpture charg\u00e9e d'\u00e9nergie : les nouvelles \u0153uvres figuratives, enti\u00e8rement form\u00e9es de lattes. Qu'il s'agisse ensuite de l'utilisation d'une \"peau ext\u00e9rieure\" tendue, c'est-\u00e0-dire d'une enveloppe sp\u00e9cialement fabriqu\u00e9e \u00e0 cet effet, ou que le regard se porte sans d\u00e9tour sur la construction elle-m\u00eame, la latte est ici utilis\u00e9e dans son plein droit en tant que moyen artistique. L'artiste voit lui aussi qu'un autre grand pas a \u00e9t\u00e9 franchi : \"La beaut\u00e9 n'a jamais \u00e9t\u00e9 le but, mais on essaie de d\u00e9velopper et de mettre en \u0153uvre une technologie particuli\u00e8re, et tout \u00e0 coup, on se rend compte que cela peut donner de belles choses\". Le couple de collectionneurs Brandhorst a collectionn\u00e9 les multiples depuis les ann\u00e9es 1980. Aujourd'hui, une grande exposition temporaire est organis\u00e9e au mus\u00e9e Brandhorst de Munich. Elle pr\u00e9sente, outre les multiples de la collection, des pr\u00eats de tableaux caviar ainsi que de nouvelles \u0153uvres figuratives et installatives - toutes reproduites dans le riche catalogue.<\/p>\n
Exposition :
\nCollections de peintures de l'\u00c9tat de Bavi\u00e8re, Mus\u00e9e Brandhorst, Munich, 19\/4-2\/9\/2012<\/p>","protected":false},"excerpt":{"rendered":"
Catalogue d'exposition, Mus\u00e9e Brandhorst Munich, \u00e9d. par Armin Zweite
\nTextes (all.) de Rudi Fuchs, Friedrich Wolfram Heubach, Anna R\u00fchl, Nina Schleif, Armin Zweite
\n200 p. avec 200 couleurs. illustrations
\nformat 28,5 x 22 cm, couverture 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