C'est un peu comme si l'on retrouvait de vieilles connaissances. Les personnages que nous a laiss\u00e9s l'artiste belge Frans Masereel (1889-1972) et les sc\u00e8nes ou les histoires que nous racontent ses tableaux sont indissociables de la fascination pour les films muets des ann\u00e9es 1920, comme ceux de Sergei Eisenstein ou du premier Alfred Hitchcock. Il est certes largement connu que les images de Masereel sont encore aujourd'hui capables de cr\u00e9er une profonde attraction, mais les feuilles et les livres m\u00e9ritent aussi un regard plus attentif, au-del\u00e0 de la simple reconnaissance. C'est pourquoi l'acquisition en 1989 d'un grand ensemble d'\u0153uvres de Masereel par le Kunstmuseum Reutlingen a \u00e9t\u00e9 et reste une chance exceptionnelle. Les livres de gravures originales sur bois, de suites de gravures sur bois et de gravures sur bois \u00e0 la feuille de cette collection du mus\u00e9e sont compl\u00e9t\u00e9s par de nombreux pr\u00eats de collections priv\u00e9es dans l'exposition actuelle et le livre qui l'accompagne, qui c\u00e9l\u00e8brent tous deux le 50e anniversaire de la mort de l'artiste le 3 janvier 2022, offrant ainsi une r\u00e9trospective compl\u00e8te de l'ensemble de l'\u0153uvre avec pr\u00e8s de 250 pi\u00e8ces d'exposition datant de 1911 \u00e0 1971. Frans Masereel, l'un des membres fondateurs en 1953, aux c\u00f4t\u00e9s de HAP Grieshaber, Erich Heckel, Gerhard Marcks, Ewald Matar\u00e9, Otto Pankok, Max Pechstein et Karl R\u00f6ssing, de l'association internationale de gravure sur bois XYLON, dont il fut le premier pr\u00e9sident, a contribu\u00e9 de mani\u00e8re d\u00e9cisive, avec ses s\u00e9ries d'images narratives, \u00e0 la grande popularit\u00e9 d'un art qui se voulait politique au sens humaniste du terme au 20e si\u00e8cle. Ses groupes d'\u0153uvres \"Id\u00e9e. Sa naissance, sa vie, sa mort\", \"La ville\", \"Mon livre d'heures\" ou \"Les morts parlent\", pour n'en citer que quelques-uns.<\/p>\n
Exposition :
\nMus\u00e9e d'art de Reutlingen, 16\/12\/2021 - 10\/4\/2022<\/p>","protected":false},"excerpt":{"rendered":"
Catalogue d'exposition, Kunstmuseum Reutlingen, \u00e9d. par Rainer Lawicki
\nTextes (all.) de Henry Keazor, Karl-Heinz Kles, Rainer Lawicki
\n128 p. avec 190 illustrations en couleur
\nformat 24 x 29 cm, couverture 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