C'est ainsi que Carina Plath intitule son texte d'introduction lucide, et plus loin : \"Notre conversation lors de la mise en place tourne autour du parricide de l'artiste \u00e0 partir de 1983, souvent th\u00e9matis\u00e9 dans les textes sur Monkiewitsch : les coupures dans le Carr\u00e9 noir, l'ic\u00f4ne de Kasimir Malevitch ; nous parlons de protestantisme - Lienhard parle de sa famille marqu\u00e9e par des pasteurs protestants, qui a subi des repr\u00e9sailles au cours de l'histoire, d'abord en Russie, puis en Allemagne nazie et plus tard en RDA, \u00e0 diff\u00e9rentes \u00e9poques et sous diff\u00e9rents r\u00e9gimes ; il fait aussi quelques blagues sur les catholiques en enfer. Je r\u00e9torque que les protestants restent pour cela coinc\u00e9s dans les limbes - ils sont ceux qui, ni b\u00e9nis ni maudits, ne conna\u00eetront ni le paradis ni la damnation. La question de l'art id\u00e9ologiquement 'juste' est soulev\u00e9e : L'artiste raconte comment il avait peint de mani\u00e8re photor\u00e9aliste et avait \u00e9t\u00e9 attaqu\u00e9 pour son \u00e9litarisme ; comment, apr\u00e8s avoir abandonn\u00e9 le r\u00e9alisme, il s'est vu \u00e0 nouveau attaqu\u00e9 par d'autres personnes, tandis que d'autres encore lisaient id\u00e9ologiquement le rapport concret \u00e0 la r\u00e9alit\u00e9 spatiale des sols comme un rapprochement vers le spectateur\". Tout cela a conduit \u00e0 une grande s\u00e9r\u00e9nit\u00e9 chez Lienhard von Monkiewitsch - il reste toutefois une m\u00e9fiance fondamentale envers l'impulsion t\u00e9l\u00e9ologique du modernisme classique. Pourtant, celle-ci a \u00e9galement \u00e9t\u00e9 \"responsable de l'\u00e9tablissement de l'\u0153uvre d'art autonome et s'est ainsi engag\u00e9e pour la libert\u00e9 d'expression, pour les possibilit\u00e9s d'\u00e9largissement de la perception et pour le droit du spectateur critique. L'artiste ne veut pas renoncer \u00e0 ces acquis et se retrouve ainsi dans la situation difficile de devoir continuer l'histoire sans la subir\".<\/p>\n
Expositions :
\nMus\u00e9e M\u00f6nchehaus de Goslar ; 21\/3 - 4\/7\/2021
\nMus\u00e9e Sprengel de Hanovre, 1\/4 - 30\/5\/2021
\nGalerie du hasard et de la chance Hanovre, 13\/11 - 28\/11\/2021
\nGalerie municipale KUBUS, 13\/11-19\/12\/2021<\/p>","protected":false},"excerpt":{"rendered":"
Textes (all.) de Carina Plath, Anne Prenzler, Giso Westing
\n120 p. avec 90 illustrations en couleur
\nformat 26,5 x 21 cm, brochure \u00e0 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