La relation entre la m\u00e8re et l'enfant, ou entre le caretaker et l'infant, est traditionnellement repr\u00e9sent\u00e9e dans les arts visuels comme une fusion symbiotique. Voir par exemple les portraits de la Vierge par Rapha\u00ebl. Inspir\u00e9e par la psychanalyste anglaise Melanie Klein, cette exposition jette toutefois un autre regard sur ces \"relations d'objet\" de la petite enfance qui marquent notre relation avec les autres tout au long de notre vie. Outre l'amour et l'affection, l'attachement du petit enfant \u00e0 sa m\u00e8re ou \u00e0 son caretaker se caract\u00e9rise, selon Klein, par des agressions, des ambivalences et des fantasmes de peur. \"The Mother Position\" rassemble des travaux artistiques dans lesquels les ab\u00eemes complexes de cette relation d'objet apparaissent et sont n\u00e9goci\u00e9s. Les cons\u00e9quences \u00e0 long terme de cette relation paradigmatique sont \u00e9galement \u00e9voqu\u00e9es. C'est pr\u00e9cis\u00e9ment parce qu'aucune pratique artistique ne peut se passer d'une relation \u00e0 l'objet qu'il vaut la peine de se pencher sur les fantasmes d'objet, aussi libidineux que destructeurs. Le fait que les mauvais sentiments, les divisions et les distorsions unilat\u00e9rales d\u00e9terminent de mani\u00e8re d\u00e9terminante les interactions sociales de notre soci\u00e9t\u00e9 actuelle n'est donc pas seulement d\u00fb \u00e0 la \"polarisation\" tant \u00e9voqu\u00e9e ou aux m\u00e9dias sociaux. \"The Mother Position\" d\u00e9montre plut\u00f4t que nos relations avec les autres sont aussi l'expression d'une vie psychique int\u00e9rieure projet\u00e9e \u00e0 l'ext\u00e9rieur (tandis que les \u00e9v\u00e9nements ext\u00e9rieurs sont introject\u00e9s). L'exposition s'int\u00e9resse moins \u00e0 la maternit\u00e9 au sens strict qu'\u00e0 une position psychique et \u00e0 ses relations d'objet qui prennent leur point de d\u00e9part dans la petite enfance. Selon Klein, nous adoptons cette position \u00e0 plusieurs reprises au cours de notre vie. Plus encore : il s'agit d'une position - et c'est l'argument central de \"The Mother Position\" - qui marque \u00e9galement la relation des artistes* avec leurs objets et qui appara\u00eet m\u00eame occasionnellement dans ces derniers. (Isabelle Graw dans son texte \"Le pouvoir de la relation \u00e0 l'objet\")<\/p>\n
Exposition :
\nCFA Contemporary Fine Arts, B\u00e2le, 31\/8 - 26\/10\/2024<\/p>","protected":false},"excerpt":{"rendered":"
Catalogue d'exposition, Contemporary Fine Arts CFA Basel, \u00e9d. Bruno Brunnet et Nicole Hackert
\nCurat\u00e9 et textes (all.\/angl.) par Isabelle Graw
\n40 p. avec 14 illustrations en couleur
\nformat 28 x 20 cm, cahier 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