Le livre, dont le titre reprend une caract\u00e9risation de son ami artiste Nolde transmise par Paul Klee, para\u00eet \u00e0 l'occasion de l'exposition \"Emil Nolde\" au Zentrum Paul Klee et contient, outre les reproductions des \u0153uvres qui y sont pr\u00e9sent\u00e9es, la correspondance entre les couples Nolde et Klee, publi\u00e9e pour la premi\u00e8re fois. La rencontre avec l'\u00e9tranger semble avoir toujours stimul\u00e9 le travail artistique d'Emil Nolde. On trouve dans son \u0153uvre de nombreuses r\u00e9f\u00e9rences au grotesque, au fantastique et \u00e0 l'exotisme - une fascination qu'il partageait avec Paul Klee. Le grotesque leur permettait \u00e0 tous deux de commenter de mani\u00e8re critique les \u00e9v\u00e9nements contemporains. Chez Nolde, les repr\u00e9sentations fantastiques naissent d'un jeu s\u00e9rieux avec l'inconnu et l'\u00e9trange et occupent par cons\u00e9quent une position centrale dans son \u0153uvre, tandis que chez Paul Klee, le royaume des esprits, des d\u00e9mons et autres cr\u00e9atures mixtes semble plut\u00f4t servir \u00e0 l'\u00e9dification comme un monde parall\u00e8le passionnant. Pour Nolde comme pour Klee et nombre de leurs contemporains, les motifs exotiques constituaient un nouveau vocabulaire de formes inspirantes qui permettaient de briser le carcan de la tradition europ\u00e9enne. Dans le pr\u00e9sent volume, qui pr\u00e9sente des \u0153uvres de Nolde rest\u00e9es jusqu'\u00e0 pr\u00e9sent quelque peu en marge de l'int\u00e9r\u00eat du monde de l'art, mais qui ont \u00e9t\u00e9 d'une grande importance pour l'artiste et m\u00e9ritent donc toute notre attention, la correspondance conserv\u00e9e entre Emil et Ada Nolde et Paul et Lily Klee est \u00e9galement publi\u00e9e et comment\u00e9e pour la premi\u00e8re fois. Cette mise \u00e0 jour des \u00e9changes \u00e9crits entre les deux amis artistes et leurs familles comble une lacune de la recherche et r\u00e9v\u00e8le des aspects jusqu'ici inconnus d'une amiti\u00e9 mutuellement inspirante.<\/p>\n
Exposition :
\nCentre Paul Klee Berne, 17\/11\/2018 - 3\/3\/2019<\/p>","protected":false},"excerpt":{"rendered":"
Catalogue d'exposition, Zentrum Paul Klee, \u00e9d. Fabienne Eggelh\u00f6fer et Nina Zimmer, avec la Fondation Nolde Seeb\u00fcll, \u00e9d. Christian Ring
\nTextes (all.\/ang.) d'Astrid Becker, Fabienne Eggelh\u00f6fer, Nora Lohner
\n232 p. avec 100 illustrations en couleur
\nformat 28 x 22 cm, 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