Pour l'artiste Markus Proschek (*1981), n\u00e9 en Autriche et vivant \u00e0 Berlin, les esth\u00e9tiques subliminales nazies ou les architectures totalitaires repr\u00e9sentent toujours des d\u00e9fis artistiques. La sculpture en bronze de la \"nageuse\" (2006), peinte \u00e0 l'huile, est un tel cas. Elle \u00e9voque d'une certaine mani\u00e8re la tradition picturale de Psych\u00e9 ou de Narcisse, mais oscille sur le plan de l'esth\u00e9tique picturale, en tant que beaut\u00e9 de Breker, entre le bourrelet nazi et la coolitude du Bauhaus. Les travaux extr\u00eamement subtils de Proschek explorent cette relation fonctionnelle ambivalente entre l'appropriation id\u00e9ologique et les \u0153uvres d'art ouvertes aux manipulations d'interpr\u00e9tation. C'est le cas de son tableau \u00e0 l'huile \"Die Merz-Gefallenen\" (2007), dont la sc\u00e8ne ironique et fictive se d\u00e9roule dans la Haus der Kunst de Munich, avec au premier plan une sculpture inspir\u00e9e du c\u00e9l\u00e8bre tableau de Caspar David Friedrich \"Das Eismeer\" (La mer de glace), et dans la pi\u00e8ce voisine, des \u00e9l\u00e9ments du \"Merz-Bau\" de Kurt Schwitters qui s'empilent. De mani\u00e8re parodique, le canonique est ainsi confront\u00e9 \u00e0 la possibilit\u00e9 de son rejet lorsqu'il est mis en contact avec l'insubordonn\u00e9 - avec l'esth\u00e9tique nazie du temple de l'exposition. Jacques Derrida avait d\u00e9j\u00e0 soulign\u00e9 le fait que la culture et l'art de la modernit\u00e9 ne constituent pas une monnaie stable en constatant que la signification ne r\u00e9sulte plus que de la relation entre les choses, ce qui rend en m\u00eame temps obsol\u00e8te l'id\u00e9e qu'il existe quelque chose comme une signification originelle et v\u00e9ritable. Markus Proschek d\u00e9clare \u00e0 ce sujet : \"Pour moi, les points de vue sur le sujet \u00e9taient un peu insatisfaisants. La plupart des \u0153uvres d'art contemporain qui traitaient de ces sujets m'ont toujours sembl\u00e9 soit tr\u00e8s moralistes, soit superficielles, soit, pire encore, ennuyeuses\".<\/p>\n
Exposition :
\nEspace d'art Innsbruck, 21\/4 - 8\/7\/2017<\/p>","protected":false},"excerpt":{"rendered":"
Catalogue d'exposition, Kunstraum Innsbruck, \u00e9d. Karin Pernegger
\nTextes (all.\/ang.) de Mark Gisbourne, interview de Lucy McKenzie avec Markus Proschek
\n144 p. avec 70 illustrations en 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