L'absence est un th\u00e8me r\u00e9current chez Sophie Reinhold : ce qui est laiss\u00e9 de c\u00f4t\u00e9, ce qui n'est pas dit, ce qui n'est pas invit\u00e9. Les r\u00e8gles de base de l'abstraction. Le fait que tout ne doit pas \u00eatre dit. Cela cr\u00e9e une sorte d'ambiance g\u00e9n\u00e9rale. Un mod\u00e8le, peut-\u00eatre. Cela cr\u00e9e une place \u00e0 l'\u00e9cart du langage. Un silence tr\u00e8s clair. Lorsqu'il y a un grand nombre de motifs, la vue d'ensemble d'un mod\u00e8le se perd facilement. Le d\u00e9sordre s'installe. La distance aide \u00e0 retrouver une vue d'ensemble. D\u00e8s que la r\u00e9p\u00e9tition du motif se confirme, le mod\u00e8le s'est impos\u00e9 avec succ\u00e8s, ce qui d\u00e9clenche aussi bien l'esprit obsessionnel que l'esprit de s\u00e9r\u00e9nit\u00e9 ... Ce qui est vraiment intelligent dans la peinture de Sophie Reinhold, c'est que l'artiste part du principe, et le prouve sans cesse dans son art, que sa r\u00e9alit\u00e9 ne peut pas \u00eatre liss\u00e9e, que l'\u00e9v\u00e9nement a eu lieu depuis longtemps avant de pouvoir \u00eatre forc\u00e9 dans une forme. Son art pratique une multiplicit\u00e9 kal\u00e9idoscopique et ne suit aucune formule unilat\u00e9rale, ce qui rend cette \u0153uvre multiple et stratifi\u00e9e. Une m\u00e9thode appara\u00eet clairement : la d\u00e9cision de poncer sa peinture, le fait d'enlever et d'appliquer ses images, cela refl\u00e8te l'id\u00e9e que notre exp\u00e9rience de la r\u00e9alit\u00e9 \u00e9quivaut \u00e0 une usure du quotidien ... \"Cela peut co\u00fbter la vie\" a \u00e9t\u00e9, si je ne m'abuse, la premi\u00e8re exposition Berlinger \u00e0 ouvrir apr\u00e8s l'assouplissement des restrictions dues \u00e0 la pand\u00e9mie de Covid19. Les peintures r\u00e9alis\u00e9es avant la crise mondiale prouvent que Sophie Reinhold s'int\u00e9resse \u00e0 notre pr\u00e9sent agglutin\u00e9 avec l'urgence qui s'impose. Tenzing Barshee<\/p>\n
Exposition :
\nCFA Contemporary Fine Arts Berlin, 20\/5 - 20\/6\/2020<\/p>","protected":false},"excerpt":{"rendered":"
Catalogue d'exposition, Contemporary Fine Arts CFA Berlin \u00e9d. par Bruno Brunnet et Nicole Hackert
\nTexte (all.\/ang.) de Tenzing Barshee, interview (all.\/ang.) de l'artiste par Hannes Schmidt
\n32 p. avec 19 illustrations en couleur
\nformat 28 x 20 cm, cahier 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