\"Souvenir de Baden-Baden\" de Thilo Westermann donne un aper\u00e7u des lettres que l'artiste et historien de l'art \u00e9crit depuis 2018 \u00e0 la fille adoptive de Napol\u00e9on et ancienne grande-duchesse de Baden, St\u00e9phanie de Beauharnais (1789-1860). Comme si celle-ci \u00e9tait une collectionneuse d'art encore en vie, il lui parle de ses cr\u00e9ations. Les lettres manuscrites vont bien au-del\u00e0 de la discussion de son propre travail : elles traitent d'\u00e9v\u00e9nements politiques et sociaux des derni\u00e8res ann\u00e9es et prennent parfois la forme d'essais culturels, par exemple sur le contexte colonial du jardin du ch\u00e2teau de Malmaison pr\u00e8s de Paris ou sur les cons\u00e9quences de la politique d'expansion de Napol\u00e9on. Les propres m\u00e9dias de Westermann sont les peintures sous verre et les photomontages. Avec sa \"Correspondance avec St\u00e9phanie\", il pr\u00e9sente aujourd'hui une \u0153uvre aussi pr\u00e9cise que perspicace, qui refl\u00e8te de mani\u00e8re critique l'histoire et le pr\u00e9sent. Des contributions textuelles d'universitaires aussi renomm\u00e9s que Markus A. Castor (Deutsches Forum f\u00fcr Kunstgeschichte Paris) introduisent l'\u0153uvre de Westermann ; Dominique de Font-R\u00e9aulx (Louvre Paris) se consacre \u00e0 l'interface entre la peinture et la photographie ; Magali Nachtergael (Universit\u00e9 Bordeaux-Montaigne) et Anne Reverseau (UCLouvain) \u00e9tudient la pertinence du mot \u00e9crit entre les arts plastiques et la litt\u00e9rature ; Harriet Zilch (Kunsthalle N\u00fcrnberg) conclut en se demandant ce que cela signifierait si nous pouvions penser l'histoire non pas de mani\u00e8re lin\u00e9aire, mais circulaire, et compl\u00e9ter ainsi sans cesse notre image du pass\u00e9. Des illustrations d'\u0153uvres \u00e0 pleine page et des reproductions de lettres manuscrites soulignent le c\u00f4t\u00e9 bibliophile de ce projet, dans lequel des lettres de St\u00e9phanie de Beauharnais elle-m\u00eame, encore in\u00e9dites, sont en outre publi\u00e9es pour la premi\u00e8re fois.<\/p>\n
Exposition : Thilo Westermann et l'art de dessiner sous verre
\nVitromus\u00e9e Romont, Suisse : 6\/3 - 25\/9\/2022<\/p>","protected":false},"excerpt":{"rendered":"
\u00c9dit\u00e9 par Markus A. Castor et Heike Kronenwett
\nTextes (all.\/fr.) de Markus A. Castor, Dominique de Font-R\u00e9aulx, Magali Nachtergael, Anne Reverseau et Harriet Zilch
\n336 p. avec 160 illustrations en couleur
\nformat 24 x 18 cm, couverture souple avec 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