Born in Tel Aviv in 1967 and living today in Copenhagen, the artist became famous for his seemingly naïvely painted abstractions, in which some viewers have been happy to detect a visual goulash, or simply to celebrate the values of artistic expression and its autonomy, long thought dead. Alongside a simple abstraction of figurative signs, it was above all the strong colours, deployed by way of a strictly chosen palette, that stood out. The paintings impressed through their calculated and colourful radiance. For some time now TAL R has been changing the figuration in his paintings, leading their abstraction back into a form that appears stylised and standardised, which might be described as a state one step short of abstraction proper; the ornamental, too, thus clearly recedes. This move towards the classical is supported by a complete break with his previous techniques. Instead of impasto oil paint, a mixture of rabbit-skin glue and pigments is now applied directly to unprimed canvas, so that a fresco-like tone dominates the surface.
Exhibition:
Kunstverein in Hamburg, 09/04 – 13/06/2011